Important Dates
Early Bird Registration :2nd November 2026
Paper Submission Deadline :7th November 2026
Last Date of Registration : 17th November 2026
Date of Conference : 2nd - 3rd December 2026
Conference Session Tracks
Aligned with
UN Sustainable Development Goals
This conference contributes to global sustainability by aligning its research discussions and academic sessions with key United Nations Sustainable Development Goals.
SDG 4 — Quality Education
SDG 9 — Industry, Innovation and Infrastructure
SDG 10 — Reduced Inequalities
SDG 11 — Sustainable Cities and Communities
SDG 12 — Responsible Consumption and Production
SDG 16 — Peace, Justice and Strong Institutions
SDG 17 — Partnerships for the Goals
Track 01
Digital Archives and Music Heritage
This track explores the role of digital archives in preserving and promoting music heritage. It invites discussions on innovative methods for curating and accessing historical sound recordings.
Track 02
Sonic Data and Cultural Analytics
Focusing on the intersection of sonic data and cultural analytics, this track examines how data-driven approaches can enhance our understanding of music and sound within cultural contexts. Contributions may include case studies and theoretical frameworks that highlight the implications of sound data analysis.
Track 03
Interdisciplinary Approaches to Sound Studies
This session encourages interdisciplinary research that bridges sound studies with other fields within the humanities and social sciences. Participants are invited to present collaborative projects that highlight the multifaceted nature of sound in cultural expressions.
Track 04
Innovations in Sound Technology
This track showcases cutting-edge technologies that are transforming the landscape of sound studies and music production. Papers may address advancements in audio digitization, sound mapping, and interactive technologies.
Track 05
Cultural Heritage and Sound Documentation
Exploring the significance of sound documentation in preserving cultural heritage, this track invites contributions that discuss methodologies and ethical considerations in documenting musical traditions. Case studies that illustrate successful documentation projects are particularly welcome.
Track 06
Music Informatics and Computational Humanities
This session focuses on the application of informatics and computational methods to the study of music. Researchers are encouraged to share their findings on how computational tools can facilitate new insights into musical patterns and trends.
Track 07
Digital Curation of Sound Artifacts
This track addresses the challenges and best practices in the digital curation of sound artifacts. Participants will discuss strategies for ensuring accessibility and sustainability of sound collections in digital environments.
Track 08
Sound Mapping and Spatial Analysis
Focusing on the spatial dimensions of sound, this session invites papers that explore sound mapping techniques and their implications for understanding cultural landscapes. Contributions may include theoretical discussions as well as practical applications in various contexts.
Track 09
Multimodal Studies in Music and Sound
This track emphasizes the importance of multimodal approaches in the study of music and sound. Participants are encouraged to explore how integrating various media can enrich our understanding of auditory experiences.
Track 10
Media Humanities and Sonic Narratives
This session investigates the role of sound in media humanities, focusing on how sonic narratives shape cultural discourse. Papers may analyze the interplay between sound and visual media in contemporary contexts.
Track 11
Interactive Technologies in Sound Studies
This track explores the impact of interactive technologies on sound studies and music engagement. Researchers are invited to present innovative projects that utilize interactive platforms to enhance audience participation and experience.