ICDHSS · Registering as Listener

International Conference on Digital Humanities and Sound Studies

📅 2–3 Dec 2026 📍 Melbourne, Australia 👤 Standard / Listener

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$185

virtual · $185 in person

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Conference session tracks

Key research areas covered across the sessions — tap a track to read more.

This track explores the role of digital archives in preserving and promoting music heritage. It invites discussions on innovative methods for curating and accessing historical sound recordings.

Focusing on the intersection of sonic data and cultural analytics, this track examines how data-driven approaches can enhance our understanding of music and sound within cultural contexts. Contributions may include case studies and theoretical frameworks that highlight the implications of sound data analysis.

This session encourages interdisciplinary research that bridges sound studies with other fields within the humanities and social sciences. Participants are invited to present collaborative projects that highlight the multifaceted nature of sound in cultural expressions.

This track showcases cutting-edge technologies that are transforming the landscape of sound studies and music production. Papers may address advancements in audio digitization, sound mapping, and interactive technologies.

Exploring the significance of sound documentation in preserving cultural heritage, this track invites contributions that discuss methodologies and ethical considerations in documenting musical traditions. Case studies that illustrate successful documentation projects are particularly welcome.

This session focuses on the application of informatics and computational methods to the study of music. Researchers are encouraged to share their findings on how computational tools can facilitate new insights into musical patterns and trends.

This track addresses the challenges and best practices in the digital curation of sound artifacts. Participants will discuss strategies for ensuring accessibility and sustainability of sound collections in digital environments.

Focusing on the spatial dimensions of sound, this session invites papers that explore sound mapping techniques and their implications for understanding cultural landscapes. Contributions may include theoretical discussions as well as practical applications in various contexts.

This track emphasizes the importance of multimodal approaches in the study of music and sound. Participants are encouraged to explore how integrating various media can enrich our understanding of auditory experiences.

This session investigates the role of sound in media humanities, focusing on how sonic narratives shape cultural discourse. Papers may analyze the interplay between sound and visual media in contemporary contexts.

This track explores the impact of interactive technologies on sound studies and music engagement. Researchers are invited to present innovative projects that utilize interactive platforms to enhance audience participation and experience.