ICMASMC · Registering as Listener

International Conference on Music Acoustics, Sound and Music Computing

📅 17–18 Mar 2027 📍 Kotor, Montenegro 👤 Standard / Listener

Listener registration from

$165

virtual · $165 in person

Registration benefits
✉
Official invitation letterIssued automatically after registration
📜
Certificate & digital materialsCertificate, slides and resource materials
🌐
Supporting global researchConnect with researchers across 30+ countries

For Support Please Contact

[email protected]

Select registration mode

Prices are shown before tax and bank charges — no surprises at checkout.

All sessionsNetworkingCertificateInvitation letterConference kit

Your details

We only need what's required to register and email your confirmation. Everything else is optional.

Coupon code

Have a code? Apply it here — the discount updates the total immediately.

Apply

I agree to the Terms & Conditions and Refund & Cancellation Policy.

VISAMastercardAmexPayPal

Payments encrypted & processed securely. Refundable up to 14 days before the event.

Conference session tracks

Key research areas covered across the sessions — tap a track to read more.

This track explores the latest research in musical acoustics, focusing on the physical principles governing sound production in various instruments. Contributions will include studies on instrument design, sound propagation, and the acoustic properties of different materials used in music-making.

This session invites papers that utilize computational methods to analyze music performance, emphasizing techniques such as machine learning and signal processing. Discussions will center on the implications of these analyses for understanding musical expression and interpretation.

This track focuses on the application of physics-based modeling techniques in the synthesis of musical sounds. Participants will present innovative models that enhance the realism and expressiveness of synthesized music.

This session will showcase interactive performance systems that integrate technology with live music. Papers will discuss the design and implementation of interfaces that facilitate real-time interaction between performers and digital systems.

This track addresses the role of sound and music computing in educational contexts, particularly in teaching music theory and performance. Contributions will examine innovative pedagogical approaches and the use of technology in enhancing music education.

This session focuses on the development and application of spatial sound techniques in various contexts, including virtual reality and gaming. Papers will explore the impact of spatial audio on user experience and engagement.

This track invites research on auditory display techniques and the sonification of data across different domains. Presentations will highlight the effectiveness of sound in conveying complex information and enhancing user interaction.

This session will cover advancements in music information retrieval, focusing on algorithms for automatic classification, recognition, and retrieval of musical content. Participants will discuss the challenges and future directions in this rapidly evolving field.

This track explores the intersection of sound, music, and neuroscience, examining how auditory stimuli are processed in the brain. Contributions will delve into cognitive and perceptual aspects of music, including emotional responses and memory.

This session focuses on technologies aimed at the preservation, access, and modeling of musical heritage. Papers will discuss methods for digitizing, archiving, and restoring historical music artifacts.

This track investigates the role of social interaction in sound and music computing environments. Contributions will explore how technology facilitates collaboration and community building among musicians and audiences.